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	<title>Crimson Kimono</title>
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	<link>http://crimsonkimono.com</link>
	<description>Screen Sirens, Songbirds and Femme Fatales</description>
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		<item>
		<title>I Enjoy Being a Girl</title>
		<link>http://crimsonkimono.com/2013/2253/</link>
		<comments>http://crimsonkimono.com/2013/2253/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 06:08:58 +0000</pubDate>
		<dc:creator>Dan Akira</dc:creator>
				<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Movies]]></category>

		<guid isPermaLink="false">http://crimsonkimono.com/?p=2253</guid>
		<description><![CDATA[]]></description>
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		<item>
		<title>Jean Seberg: Still Breathless After All These Years</title>
		<link>http://crimsonkimono.com/2012/jean-seberg-still-breathless-after-all-these-years/</link>
		<comments>http://crimsonkimono.com/2012/jean-seberg-still-breathless-after-all-these-years/#comments</comments>
		<pubDate>Fri, 25 May 2012 20:25:25 +0000</pubDate>
		<dc:creator>Dan Akira</dc:creator>
				<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Addison Powell]]></category>
		<category><![CDATA[Breathless]]></category>
		<category><![CDATA[In the French Style]]></category>
		<category><![CDATA[Irwin Shaw]]></category>
		<category><![CDATA[Jean Seberg]]></category>
		<category><![CDATA[Robert Parrish]]></category>
		<category><![CDATA[Stanley Baker]]></category>

		<guid isPermaLink="false">http://crimsonkimono.com/?p=1562</guid>
		<description><![CDATA[In the French Style (1963), an American production directed by Robert Parrish, is an unexpected find. While the films Jean Seberg made in France are mostly out of circulation, this affecting drama has been shown on TCM and is available &#8230; <a href="http://crimsonkimono.com/2012/jean-seberg-still-breathless-after-all-these-years/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://crimsonkimono.com/2012/jean-seberg-still-breathless-after-all-these-years/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>A Boy and a Woman: The Late 60s Style of Model Shop</title>
		<link>http://crimsonkimono.com/2012/la-style-in-model-shop/</link>
		<comments>http://crimsonkimono.com/2012/la-style-in-model-shop/#comments</comments>
		<pubDate>Fri, 18 May 2012 20:16:24 +0000</pubDate>
		<dc:creator>Dan Akira</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Alexandra Hay]]></category>
		<category><![CDATA[Anouk Aimée]]></category>
		<category><![CDATA[Gary Lockwood]]></category>
		<category><![CDATA[Jacques Demy]]></category>
		<category><![CDATA[Jay Ferguson]]></category>
		<category><![CDATA[Model Shop]]></category>
		<category><![CDATA[Spirit]]></category>

		<guid isPermaLink="false">http://crimsonkimono.com/?p=1426</guid>
		<description><![CDATA[Sometimes, it takes an outsider. In Model Shop (1969), Jacques Demy discovers beauty in LA&#8217;s often derided urban sprawl. And for lovers of 60s style, it&#8217;s a non-stop fashion parade. Demy [The Umrellas of Cherbourg (1964)] begins in the industrial outskirts &#8230; <a href="http://crimsonkimono.com/2012/la-style-in-model-shop/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Kate and Leo Together Again!</title>
		<link>http://crimsonkimono.com/2012/kate-and-leo-together-again/</link>
		<comments>http://crimsonkimono.com/2012/kate-and-leo-together-again/#comments</comments>
		<pubDate>Wed, 09 May 2012 05:59:08 +0000</pubDate>
		<dc:creator>Dan Akira</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Deborah L. Scott]]></category>
		<category><![CDATA[Gloria Stuart]]></category>
		<category><![CDATA[James Cameron]]></category>
		<category><![CDATA[Kate Winslet]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[Titanic]]></category>

		<guid isPermaLink="false">http://crimsonkimono.com/?p=592</guid>
		<description><![CDATA[The movie that made Kate Winslet and Leonardo DiCaprio the biggest stars in the world is back, this time in 3-D. In Titanic (1997), poor boy Jack meets rich girl Rose. It&#8217;s an old story. Occasionally, the girl in the &#8230; <a href="http://crimsonkimono.com/2012/kate-and-leo-together-again/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Faye Dunaway, The Fairest One of All</title>
		<link>http://crimsonkimono.com/2012/faye-dunaway-in-the-thomas-crown-affair/</link>
		<comments>http://crimsonkimono.com/2012/faye-dunaway-in-the-thomas-crown-affair/#comments</comments>
		<pubDate>Thu, 19 Apr 2012 03:12:05 +0000</pubDate>
		<dc:creator>Dan Akira</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[60's Fashion]]></category>
		<category><![CDATA[Faye Dunaway]]></category>
		<category><![CDATA[Haskell Wexler]]></category>
		<category><![CDATA[Michel Legrand]]></category>
		<category><![CDATA[Steve McQueen]]></category>
		<category><![CDATA[TCM Classic Film Festival]]></category>
		<category><![CDATA[The Thomas Crown Affair]]></category>
		<category><![CDATA[Theadora Van Runkle]]></category>

		<guid isPermaLink="false">http://crimsonkimono.com/?p=496</guid>
		<description><![CDATA[2012 TCM Classic Film Festival Egyptian Theatre, Hollywood Essentially a stylish travelogue set to a Michel Legrand soundtrack, Norman Jewison&#8217;s The Thomas Crown Affair (1968) showcases Faye Dunaway in all her opulent, late 60s glory. With her 29 separate costume changes, it&#8217;s &#8230; <a href="http://crimsonkimono.com/2012/faye-dunaway-in-the-thomas-crown-affair/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://crimsonkimono.com/2012/faye-dunaway-in-the-thomas-crown-affair/feed/</wfw:commentRss>
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		<title>Marthe Keller in Black Sunday</title>
		<link>http://crimsonkimono.com/2012/martha-keller-in-black-sunday/</link>
		<comments>http://crimsonkimono.com/2012/martha-keller-in-black-sunday/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 09:07:35 +0000</pubDate>
		<dc:creator>Dan Akira</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Black Sunday]]></category>
		<category><![CDATA[Bruce Dern]]></category>
		<category><![CDATA[Marthe Keller]]></category>
		<category><![CDATA[Robert Evans]]></category>
		<category><![CDATA[Robert Shaw]]></category>
		<category><![CDATA[TCM Classic Film Festival]]></category>

		<guid isPermaLink="false">http://crimsonkimono.com/?p=364</guid>
		<description><![CDATA[2012 TCM Classic Film Festival Marthe Keller [Marathon Man (1976)] is one of the great actresses from the 1970s who doesn&#8217;t get talked about much these days. In Black Sunday (1977), directed by John Frankenheimer [The Manchurian Candidate (1962)] and &#8230; <a href="http://crimsonkimono.com/2012/martha-keller-in-black-sunday/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Debbie at the Dome</title>
		<link>http://crimsonkimono.com/2012/debbie-at-the-dome/</link>
		<comments>http://crimsonkimono.com/2012/debbie-at-the-dome/#comments</comments>
		<pubDate>Mon, 16 Apr 2012 20:49:53 +0000</pubDate>
		<dc:creator>Dan Akira</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Alfred Newman]]></category>
		<category><![CDATA[Carroll Baker]]></category>
		<category><![CDATA[Debbie Reynolds]]></category>
		<category><![CDATA[Gregory Peck]]></category>
		<category><![CDATA[How the West Was Won]]></category>
		<category><![CDATA[Jimmy Stewart]]></category>
		<category><![CDATA[TCM Classic Film Festival]]></category>

		<guid isPermaLink="false">http://crimsonkimono.com/?p=296</guid>
		<description><![CDATA[ 2012 TCM Classic Film Festival The 50th Anniversary screening of How The West Was Won (1962) was a high point of the festival. Equipped with 3 projectors and a massive curved screen, Arclight&#8217;s Cinerama Dome is one of the last &#8230; <a href="http://crimsonkimono.com/2012/debbie-at-the-dome/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Vertigo&#8217;s 3 Faces of Kim</title>
		<link>http://crimsonkimono.com/2012/vertigo-3-faces-of-kim/</link>
		<comments>http://crimsonkimono.com/2012/vertigo-3-faces-of-kim/#comments</comments>
		<pubDate>Mon, 16 Apr 2012 07:18:21 +0000</pubDate>
		<dc:creator>Dan Akira</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Carlotta Valdes]]></category>
		<category><![CDATA[Jimmy Stewart]]></category>
		<category><![CDATA[Kim Novak]]></category>
		<category><![CDATA[My Fair Lady]]></category>
		<category><![CDATA[TCM Classic Film Festival]]></category>
		<category><![CDATA[Vertigo]]></category>

		<guid isPermaLink="false">http://crimsonkimono.com/?p=272</guid>
		<description><![CDATA[2012 TCM Classic Film Festival Vertigo, Alfred Hitchcock&#8217;s 1958 film, can be read on multiple levels. Some see it as a cinematic travelogue, Hitchcock&#8217;s Valentine to the monuments of San Francisco.* It also resembles a noir film in its set &#8230; <a href="http://crimsonkimono.com/2012/vertigo-3-faces-of-kim/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Rachel Weisz: The Eyes Have It</title>
		<link>http://crimsonkimono.com/2012/rachel-weisz-the-eyes-have-it/</link>
		<comments>http://crimsonkimono.com/2012/rachel-weisz-the-eyes-have-it/#comments</comments>
		<pubDate>Tue, 10 Apr 2012 23:37:10 +0000</pubDate>
		<dc:creator>Dan Akira</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Rachel Weisz]]></category>
		<category><![CDATA[Terence Davies]]></category>
		<category><![CDATA[The Long Day Closes]]></category>

		<guid isPermaLink="false">http://crimsonkimono.com/?p=240</guid>
		<description><![CDATA[Back in 1967, Newsweek called the now forgotten Elvira Madigan “the most beautiful film ever made.” This was, of course, long before Wong Kar-Wai picked up a camera. Or Terence Davies, whose most recent is The Deep Blue Sea. As the &#8230; <a href="http://crimsonkimono.com/2012/rachel-weisz-the-eyes-have-it/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Susan Sarandon: A Boy&#8217;s Best Friend</title>
		<link>http://crimsonkimono.com/2012/susan-sarandon-a-boys-best-friend/</link>
		<comments>http://crimsonkimono.com/2012/susan-sarandon-a-boys-best-friend/#comments</comments>
		<pubDate>Thu, 05 Apr 2012 21:55:43 +0000</pubDate>
		<dc:creator>Dan Akira</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Duplass]]></category>
		<category><![CDATA[Jason Segel]]></category>
		<category><![CDATA[Puffy Chair]]></category>
		<category><![CDATA[Susan Sarandon]]></category>

		<guid isPermaLink="false">http://crimsonkimono.com/?p=118</guid>
		<description><![CDATA[Like little league and the learner&#8217;s permit, a crush on Susan Sarandon, famed for her garter belts and progressive politics, has become a rite of passage for a young man. She was the alluring older woman, first to Tim Robbins &#8230; <a href="http://crimsonkimono.com/2012/susan-sarandon-a-boys-best-friend/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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