About crimsonkay

A long time resident of the San Francisco Bay Area, Dan Akira Nishimura was born in Los Angeles where as a child, he saw the road show productions of Ben Hur, Spartacus and El Cid, thus launching his film viewing career. He is an essayist and correspondent for Noir City, the online magazine of the Film Noir Foundation.In that capacity, he'll be part of the media pool at Hollywood's Turner Classic Film Festival in April of this year."

Dolores Hart as Lisa

TCM - guest programmer Dolores Hart

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In hiding from the police, Peter stifles Lisa’s screams.

o_lisa-dolores-hart-stephen-boyd-c71fA victim of the Auschwitz medical experimentation unit, Lisa Held (Dolores Hart) no longer feels at home in Europe and longs to go to Palestine. She finds an ally in her quest in Peter (Stephen Boyd), a Dutch policeman. A companion film to Otto Preminger’s Exodus (1960), Lisa (1962) is also a period piece that touches on some of the same issues. Although it doesn’t have the epic quality of Exodus, Lisa has plenty of action sequences that make good use of Cinemascope. As guest programmer on TCM, Mother Dolores Hart spoke about the making of the film and how she met with survivors. From a sheltered background, this was her first exposure to the specifics of the holocaust. The character of Lisa stayed with her for months afterward, she said. It’s a horrifying topic handled with sensitivity by director Philip Dunne [Wild in the Country (1961)]. Even in youth-oriented fare, co-starring with Elvis Presley [Loving You (1957), King Creole (1958)], Hart always had a seriousness along with her spectacular blue-eyed beauty. That serious side gets taken to the limit in Lisa where she’s almost unrecognizable. There’s an effective flashback sequence where a newly freed Lisa spots an Israeli tank lumbering through the forest. She tells Peter it was the only one with a Star of David used during the war. Continue reading