About crimsonkay

A long time resident of the San Francisco Bay Area, Dan Akira Nishimura was born in Los Angeles where as a child, he saw the road show productions of Ben Hur, Spartacus and El Cid, thus launching his film viewing career. He is an essayist and correspondent for Noir City, the online magazine of the Film Noir Foundation.In that capacity, he'll be part of the media pool at Hollywood's Turner Classic Film Festival in April of this year."

FIREBALL: VISITORS FROM DARKER WORLDS

2020 AFI FEST

Werner Herzog is the rare director who can shift between documentary and narrative films with ease. Best known for Aguirre, the Wrath of God (1972) and Fitzcarraldo (1982) both starring Klaus Kinski with the common theme of obsession. His documentaries have sometimes been accused of being exploitative [Grizzly Man (2005) or not completely truthful but are always watchable. Festival favorite Lessons of Darkness (1992) consists almost entirely of footage from the oil fires in Kuwait at the end of the first Gulf War.

Fireball: Visitors from Darker Worlds is the latest of the science-based documentary films he’s made with Clive Oppenheimer who’s aboard this time as co–director. They travel the world looking for meteorites and crash sites, guided by leading authorities in the field. As with climate change, most people don’t spend a lot of time worrying about the next big meteor strike that could turn a continent into ash. But, as an expert on Hindu culture says in the film, the visitors from space can destroy but also deliver “the seeds of life.”

Directors Clive Oppenheimer and Werner Herzog

The filmmakers visit disparate cultures from Middle Eastern Muslim to native Australian. Each has their unique way of explaining what the meteorites are and where they came from. As one of the scientists says, quoting Joni Mitchell, ” We are stardust.”

Music by

Ernst Reijseger

Cinematography by

Peter Zeitlinger

Film Editing by

Marco Capalbo

Available on AppleTV+